fredfehlau

> Bust of a Female Saint, c. 1750–60, polychromed wood with painted glass eyes, attributed to Felice Ydalgo Buenfiglio, active mid-18th century, Los Angeles County Museum of Art (LACMA), April 17, 2018

> Lyda Borelli, 1920, marmo, Pietro Canonica, Museo Canonica, Roma, Italia, February 21, 2020

> William Arthur, marchese di Tichfield, poi duca di Portland (William Arthur, Marquis of Tichfield, later Duke of Portland), 1904, calco dell'opera del 1903, gesso patinato, Pietro Canonica, Museo Canonica, Roma, Italia, February 21, 2020

> Minerva, 1839, Antonio Solá, deposito delle Gallerie Nazionali de'Arte Antica di Roma; Grande sacco, 1952, Alberto Burri; in the exhibition "Time is Out of Joint," a project by Cristiana Collu, Galleria Nazionale de'Arte Moderna e Contemporanes — Roma; Roma, Italia, February 21, 2020

> Nettuno, 1844 ca., Rinaldo Rinaldi, deposito delle Gallerie Nazionali de'Arte Antica di Roma; Tristezza invernale, 1884, Marco Calderini; in the exhibition "Time is Out of Joint," a project by Cristiana Collu, Galleria Nazionale de'Arte Moderna e Contemporanes — Roma; Roma, Italia, February 21, 2020

> Ercole e Lica, 1795–1815, Antonio Canova, deposito delle Gallerie Nazionali de'Arte Antica di Roma, in the exhibition "Time is Out of Joint," a project by Cristiana Collu, Galleria Nazionale de'Arte Moderna e Contemporanes — Roma, Roma, Italia, February 21, 2020

> Imperatore Filippo L’ Arabo (244–249 D.C.), da Castel Porziano, 1778; Doriforo (Doryphorus), Portatore di Lancia (Spear Bearer), Copia Romana (Early Roman Imperial copy of bronze), Dall’ Originale di Policleto (Polycletus) (440 A.C. circa); Imperatore Adriano (117–138 D.C.); Braccio Nuovo del Museo Chiaramonti, Museo della Biblioteca Apostolica (Vatican Museum), Roma, Italia, February 20, 2020

> Imperatore Pupieno (238 A.D.); Imperatore Filippo L’ Arabo (244–249 D.C.), da Castel Porziano, 1778; Braccio Nuovo del Museo Chiaramonti, Museo della Biblioteca Apostolica (Vatican Museum), Roma, Italia, February 20, 2020

> Crocifisso su base modanata e decorata con placchette appliecate sui quattro lati, XVIII sec., Spagna (?), ebano intagliato, Salvare l'Arte: Un recupero ottocentesco dai conventi Soppressi della Svizzera Tedesca, Museo della Biblioteca Apostolica (Vatican Museum), Roma, Italia, February 20, 2020

> Antinoo Capitolino, marmo, copia di scultura del II sec., Tivoli, Villa Adriana, Musei capitolini, Roma, Italia, February 22, 2020, 

> Musei Capitolini a Roma, Roma, Italia, February 22, 2020

> La panera del pa (Basket of Bread – Rather Death Than Shame), 1945, oil on panel, Salvador Dalí, Dalí Theatre-Museum, Figueres, Catalunya (Espanya), March 3, 2020; Galarina, 1944, oil on canvas, Salvador Dalí, “Begun in 1944, this work was completed in six months, working three hours a day. I called it Galarina because Gala is to me what La Fornarina was to Raphael. And, without any premeditation, here again we have… the bread! A rigorous and keen-eyed analysis will show that Gala’s crossed arms are like the interwoven wicker of the breadbasket, and her breast, the crust of bread. I have already painted Gala with two lamb chops on her shoulder, as an expression of my subconscious desire to devour her. That was the age of the imagination’s raw meat. Today, now that Gala has risen in the heraldic hierarchy of my nobility, she has become my basket of bread.” Dalí Theatre-Museum, Figueres, Catalunya (Espanya), March 3, 2020; Dead Raccoon, Corn Hill Beach, Truro, Massachusetts, October 12, 2018; Salvador Dalí (born Salvador Domingo Felipe Jacinto Dalí i Domènech, 11 May 1904–23 January 1989) and Gala’s Bedroom, Salvador Dalí House-Museum, Portlligat-Cadaqués, Catalunya, (Espanya), January 5, 2016

> Bruto capitolino (Male Portrait Head on a 16th Century Bust), date uncertain (4th–3rd c. B.C. or 1st c. B.C.), bronze, Gift from the cardinal Rodlofo Pio da Carpi, 1954, Musei Capitolini a Roma, Roma, Italia, February 22, 2020; Vieux pêcheur, dit Sénèque mourant (Old fisherman, known as the ‘Dying Seneca’), 100 av. J.-C.–500 ap.J.-C., Rome (Italie), 2º siècle, marbre noir et albâtr, Musee du Louvre, Paris, France, March 13, 2019

> Musei Capitolini a Roma, Roma, Italia, February 22, 2020

> Musei Capitolini a Roma, Roma, Italia, February 22, 2020

> Vieux pêcheur, dit Sénèque mourant (Old fisherman, known as the ‘Dying Seneca’), 100 av. J.-C.–500 ap.J.-C., Rome (Italie), 2º siècle, marbre noir et albâtre; Baie de Cenderawasih – Papouasie occidental, Indonésie, Reliquaire korwar, fin du XVIIIe siècle, bois, os perles des verre; Musee du Louvre, Paris, France, March 13, 2019

> Retrato de una dama como santa Lucía, h. 1509, Gionanni Antonio Boltraffio (h. 1467–1516), óleo sobre tabla, Museo Nacional Thyssen-Bornemisza, Madrid, España, March 8, 2019

> Retrato de Tommaso Raimondi, h. 1500, Amico Aspertini (h. 1474/75–1552), óleo sobre tabla, Museo Nacional Thyssen-Bornemisza, Madrid, España, March 8, 2019

> Joven caballero en un paisaje, h. 1505, Virrore Carpaccio (h. 1460/66–1525/26), óleo sobre lienzo, Museo Nacional Thyssen-Bornemisza, Madrid, España, March 8, 2019

> Cristo resucitado, h. 1490, Bramantino (h. 1465–1530), técnica mixta sobre tabla, Museo Nacional Thyssen-Bornemisza, Madrid, España, March 8, 2019

Guernica, 1937, Pablo Picasso (1881–1973), Museo Nacional Centro de Arte Reina Sofía, Madrid, España, March 8, 2019

> Taller romano: El emperador Marco Aurelin, 161 d.C., mármol; Retrato de Clodio Albino, h. 193–196 d.C., mármol; El emperador Antonio Pío, h. 140 d.C., mármol; Museo del Prado, Madrid, España, March 7, 2019

> La mort de Charles IX, 1834, huile sur toile, Raymond-Auguste-Quinsac Monvoisin (1794–1870); Vase de fleurs, 1674, huile sur toile, Nicolaes van Veerendael (1640–1691); Musée Fabre, Montpellier, France, January 25, 2019

> Tête d'étude, 1896, marbre, Jean-Antoine Injalbert (1845–1933), Musée Fabre, Montpellier, France, January 25, 2019

> Odalisque, 1841, marbre, James Pradier (1790–1852), Musée des Beaux-Arts de Lyon, Lyon, France, March 30, 2018

> Portrait de jeune femme, (fin du XVe siècle), détrempe sur bois; Portrait de jeune homme, (fin du XVe siècle), détrempe sur bois; Atelier de Domenico Ghirlandaio (1449–1494); Musée Fabre, Montpellier, France, January 25, 2019

> Faune jouant avec un chevreau, 1854, bronze, Charles-Alphonse-Achille Guméry (1827–1871), Musée Fabre, Montpellier, France, January 25, 2019

> Statua di atleta, I secolo d.C., marmo docimio, Anche le statue muoiono. Conflitto e patrimonio tra antico e contemporaneo, Dalle collezione del Museo di Antichità, Musei Reali di Torino, Galleria Sabauda, Palazzo Madama e Casaforte degli Acaja, Turino, Italia, July 27, 2018

> La mort d'Abel, 1790, oil on canvas, François-Xavier Fabre (1766–1837), Musée Fabre, Montpellier, France, January 25, 2019

> Horse, 1914, bronze, Raymond Duchamp-Villon (1876–1918); White Negress II, 1928, white marble, black marble, stone, and wood; Leda, about 1920, marble on concrete base; Golden Bird, 1919/20 (base about 1922), bronze, stone, and wood; Constantin Brâncusi (1876–1957); Art Institute of Chicago, Chicago, Illinois, May 2, 2018

> Cathédrale Saint-Étienne, Sens (Yonne), 1956–1960, plâtre patiné (plaster replica), Dépôt Médiathèque de l'architecture et du patrimoine/Centre de recherche sur les Monuments historiques, Cite de l'Architecture et du Patrimoine, Musée des Monuments français, Paris, France, December 19, 2018

> Watson and the Shark, 1778, oil on canvas, John Singleton Copley (1738–1805), Museum of Fine Arts, Boston, Massachusetts, November 29, 2018; Corn Hill Beach, Truro, Massachusetts, October 4, 2018 

Crocifissso, 1288–89, Giotto di Bondone (1267–1337), Opera per Santa Maria Novella, Chiesa di Orgnissanti, Firenze, Toscana, Italia, July 30, 2018

Ritratto di Laura Battiferri, moglie dello scultore Bartolomeo Ammannati, c. 1560, Agnolo Bronzino (1503–1572), Charles Alexander Loeser Bequest, Museo di Palazzo Vecchio, Firenze, Toscana, Italia, July 30, 2018

> Madonna con Bambino e i santi Francesco, Giovanni Battista, Zanobi Lucia, 1445–1447 circa, tempera su tavola, Domenico di Bartolomeo, detto Domenico Veneziano (Venezia 1410 circa–Firenze 1461), Galleria delgi Uffizi, Firenze, Toscana, Italia, July 29, 2018

> Madonna col Bambino e i santi Nicola e Procolo; san Giovanni evangelista, Cristo Redentore, san Giovanni Battista (nelle cuspidi), 1332, tempera su tavola, Ambrogio Lorenzetti (notizie 1319–1348), Galleria delgi Uffizi, Firenze, Toscana, Italia, July 29, 2018

> Madonna col Bambino e san Luca evangelista; Annunciazione, 1390–1400, tempera su tavola, Andrea Vanni (notizie 1353–1413), Galleria delgi Uffizi, Firenze, Toscana, Italia, July 29, 2018

> Madonna col Bambino, 1310–1320 circa, tempera su tavola, Lippo di Benivieni (1290–1350); Madonna col Bambino, 1330–1335, tempera su tavola, Maestro di San Torpè (1290–1320 circa); Galleria delgi Uffizi, Firenze, Toscana, Italia, July 29, 2018

> Annuncio della morte alla Vergine (San Frediano devia il corso del Serchio; Apparizione della Trinità a sant'Agostino), 1437–1438, tempera su tavola, Filippo Lippi (1406–1469), Galleria delgi Uffizi, Firenze, Toscana, Italia, July 29, 2018

> Ritratto di giovane in nero, 1512–1513, olio su tavola, Rosso Fiorentino (?) Giovan Battista di Jacopo, detto il (1495–1540), Galleria delgi Uffizi, Firenze, Toscana, Italia, July 29, 2018

> San Pietro e donatore, 1516–1520, olio su tavola, Guadenzio Ferrari (circa 1475–1546), Un’altra armonia. Maestri del Rinascimento in Piemonte, Musei Reali di Torino, Galleria Sabauda, Palazzo Madama e Casaforte degli Acaja, Turino, Italia, July 27, 2018

> Adorazione die Magi, circa 1500, tempera e oro su tavola, Defendente Ferrari (1480/85–dopo il 1540), Un’altra armonia. Maestri del Rinascimento in Piemonte, Musei Reali di Torino, Galleria Sabauda, Palazzo Madama e Casaforte degli Acaja, Turino, Italia, July 27, 2018

> Bozza di manifesto, 1920, collage, china, tempera e acquarello su carta, Max Ernst (1981–1976); Composition, 1932, olio su tele, Mario Mafai (1902–1965); Fondazione per l'Arte Moderna e Contemporanea CRT (in comodato), Turino, Italia, July 27, 2018

> Natura morta con mele dentro un cestino di vimini, 1643–49 ca., olio su tela, Juan de Zurbarán (1620–1649), Il silenzio sulla tela. Natura morta spagnola da Sánchez Cotán a Goya, Musei Reali di Torino, Galleria Sabauda, Palazzo Madama e Casaforte degli Acaja, Turino, Italia, July 27, 2018

> I santi Gregorio Magno e Ambrogio, 1507–1508, tempera su tavola, Macrino d'Alba (1465/70–1513), Un’altra armonia. Maestri del Rinascimento in Piemonte, Musei Reali di Torino, Galleria Sabauda, Palazzo Madama e Casaforte degli Acaja, Turino, Italia, July 27, 2018

> Madonna in trono con il Bambino fra i santi Abbondio e Domenico, 1514, tempera su tavola, Gerolamo Giovenone (1490–1555), Un’altra armonia. Maestri del Rinascimento in Piemonte, Musei Reali di Torino, Galleria Sabauda, Palazzo Madama e Casaforte degli Acaja, Turino, Italia, July 27, 2018

> Madonna con il Bambino, 1370, tempera e oro su tavola, Barnaba da Modena (1361–1386), Un’altra armonia. Maestri del Rinascimento in Piemonte, Musei Reali di Torino, Galleria Sabauda, Palazzo Madama e Casaforte degli Acaja, Turino, Italia, July 27, 2018

> Madonna con il Bambino e i santí Giovannino, Caterina d'Alessandria e altri santi, 1488, tempera su tavola, Andrea Mantegna e bottega (1431–1506), Musei Reali di Torino, Galleria Sabauda, Palazzo Madama e Casaforte degli Acaja, Turino, Italia, July 27, 2018

> Erodiade con la testa del Battista, 1635, olio su tela; Morte di Lucrezia, 1635, olio su tela; Francesco Cairo (1607–1665); Musei Reali di Torino, Galleria Sabauda, Palazzo Madama e Casaforte degli Acaja, Turino, Italia, July 27, 2018

> Autoportrait, 1614, hulle sur toile, Martin Faber, (1587–1648), Musée des beaux-arts de Marseille, Marseille, France, August 5, 2018

> L'architettura dullo specchio, 1990, legno dorato, specchi; Michelangelo Pistoletto (1933–); Novecento, 1997, cavallo in tassidermia, imbragatura in pelle, corda, Maurizio Cattelan (1960–); Persone nere, 1984, acrilico su poliuretano espanso, Michelangelo Pistoletto (1933–); Castillo di Rivoli Museo d'Arte Contemporanea, Rivoli (Torino), Italia, July 26, 2018

> Il Mercato Nuovo di Dresda visto dalla Moritzstrasse, 1750 circa, olio su tela; La Hofkirche di Dresda con il castello e il ponte di Augusto (Dresda dalla riva sinistra dell’Elba), 1748, olio su tela; Bernardo Bellotto (1721–1780), Pinacoteca Giovanni e Marella Agnelli, Torino, Italia, July 26, 2018; Stella Circle, An Eight Day Walk in the South Tyrol, Italy, 1996, fotografia in bianco e nero; Romulus Circle (Cerchio di Romolo), 1994, tufo di Roma; Rivoli Mud Circle (Cerchio di fango di Rivoli), 1996, acrilico, creta su parete; Richard Long (1945– ), Castillo di Rivoli Museo d'Arte Contemporanea, Rivoli (Torino), Italia, July 26, 2018

> Maschera di Dante Alighieri (Maschera Kirkup), da scultore ignoto, XVI–XVII sec, (?), gesso, Museo di Palazzo Vecchio, Firenze, Toscana, Italia, July 30, 2018

> Adamo ed Eva, 1528, olio su tavola, Lukas Cranach the Elder (1472–1553), Galleria delgi Uffizi, Firenze, Toscana, Italia, July 29, 2018

> Ritratto del Cardinal Carlo de'Medici, 1460 ca., tempera su tavola, Andrea Mantegna (1435–1506), Galleria delgi Uffizi, Firenze, Toscana, Italia, July 29, 2018

> Ritratto di giovane con medaglia, 1475 circa, tempera su tavola, Alessandro Filipepi, detto Botticelli (1445–1510), Galleria delgi Uffizi, Firenze, Toscana, Italia, July 29, 2018

> I duchi di Urbino Federico da Montefeltro e Battista Sforza, 1472–1475 circa, olio su tavola, Piero della Francesca (1416–1492); San Frediano devia il corso del Serchio; Annuncio della morte alla Vervine; Apparizione della Trinità a sant'Agostino, 1437–1438, tempera su tavola, Filippo Lippi (1406–1469); Galleria delgi Uffizi, Firenze, Toscana, Italia, July 29, 2018

> Chanfrein de cheval aux armes de Philippe II galvanoplastie de Christofle, 1914; Armure de joute aux armes de la Toison d'or, 1565–1570; Demi-armure et morion Habsbourg d'Espagne, c. 1580; Connectivités, Musem – Musée des civilisations de l'Europe et de la Méditerranée, Marseille, France, August 5, 2018

> San Pablo Miki, vers. 1627, Juan de Mesa, Séville; San Juan Soan de Gotó, vers. 1627, Juan de Mesa, Séville; San Diego Kisai, vers. 1627, Juan Martinez Montañés, Séville; Connectivités, Musem – Musée des civilisations de l'Europe et de la Méditerranée, Marseille, France, August 5, 2018

> San Pablo Miki, vers. 1627, Juan de Mesa, Séville; Connectivités, du mercredi 29 novembre 2017 au jeudi 31 décembre 2020, Musem – Musée des civilisations de l'Europe et de la Méditerranée, Marseille, France, August 5, 2018

> San Diego Kisai, vers. 1627, Juan Martinez Montañés, Séville; Connectivités, du mercredi 29 novembre 2017 au jeudi 31 décembre 2020, Musem – Musée des civilisations de l'Europe et de la Méditerranée, Marseille, France, August 5, 2018

> Germania (dal lato ovest), 1434–1436, Donatello, Museo dell'Opera del Duomo, Firenze, Toscana, Italia, July 30, 2018

> Abucuc (o Eliseo?), noto com "Zuccone" (dal lato ovest), 1434–1436, Donatello, Museo dell'Opera del Duomo, Firenze, Toscana, Italia, July 30, 2018

> Pietà Bandini, ca. 1547–1555, Michelangelo Buonarroti (1475–1564), Museo dell'Opera del Duomo, Firenze, Toscana, Italia, July 30, 2018

> Busto reliquiario di Sant'Orsola, fine del sec. XIV, legno intagliato policromato e dorato, Mariano di Angolo Romanelli (1370–1390); Busto reliquiario di Sant'Anastasia, fin del sec. XV, legno intagliato policromato e dorato, Bottega di Matteo Civitali (1436–1501; Basilica di Santa Maria Novella, Firenze, Toscana, Italia, July 30, 2018

> Bambino Gesù, seconda metà del sec. XV, terracotta policromata, ignoto scultore fiorentino, Basilica di Santa Maria Novella, Firenze, Toscana, Italia, July 30, 2018

> Il sonno dell'innocenza, 1844, Giovanni Dupré, Musée des beaux-arts de Marseilles, Marseilles, France, August 5, 2018

> David, 1501–1504, marmo a tutto tondo, Michelangelo Buonarroti (1475–1564), Galleria dell'Accademia di Firenze, Firenze, Toscana, Italia, July 30, 2018

> Bacco, 1598 ca, olio su tela, Michelangelo Merisi il Caravaggio (1571–1610), Galleria delgi Uffizi, Firenze, Toscana, Italia, July 29, 2018

> Busto di Margherita di Valois, 1570 circa, marmo; Busto di Emanuele Filiberto di Savoia, 1570 circa, marmo; Scultore accivo in Piemonte; Palazzo Madama e Casaforte degli Acaja, Turino, Italia, July 27, 2018

> Ercole e Nesso (Ercole e il Centauro), 1595, marmo docimio, Giovanni Caccini (1556–1613), Galleria delgi Uffizi, Firenze, Toscana, Italia, July 29, 2018

> Sileno e Bacco fanciullo, 1571–1574, bronzo, Jacopo del Duca (1520–1604), Galleria delgi Uffizi, Firenze, Toscana, Italia, July 29, 2018

> Portrait présumé de Lucrèce Borgia, vers 1510/1520, Anonyme d'après un original perdu de Bartolomeo Veneto (1502–1555), Musée des Beaux Artes, Nîmes, France, July 18, 2108

> African't, 1996, cut paper on wall, Kara Walker (1969– ); Heavy Industry, 1962, oil and pencil on canvas, Edward Ruscha (1937– ); vivimus, 1987, acrylic on plywood and wood stretchers, Imi Knoebel (1940– ); The Broad, Los Angeles, California, April 25, 2018

> Tête de boeuf, deuxième quart de xvii siècle, Jan Asselijn (1615–1652); Portrait de Francesco Marcelliano de Barea, capucin, 1630, Pierre-Paul Rubens (1577–1640); Musée des Beaux Artes, Nîmes, France, July 18, 2108

> Untitled, 1975, oil, encaustic, and collage on canvas (four panels), Jasper Johns (1930– ), The Broad, Los Angeles, California, April 25, 2018; Untitled, 1932, oil on canvas, Le Corbusier (Charles-Édouard Jeanneret) (1887–1965), Art Institute of Chicago, Chicago, Illinois, May 2, 2018; Fool's House, 1961–62, oil, Skulpt-metal, and charcoal on canvas with objects, Jasper Johns (1930– ), The Broad, Los Angeles, California, April 25, 2018

> Portrait de Francesco Marcelliano de Barea, capucin, 1630, Pierre-Paul Rubens (1577–1640); Tête de boeuf, deuxième quart de xvii siècle, Jan Asselijn (1615–1652); Musée des Beaux Artes, Nîmes, France, July 18, 2108

> Red Cart, 1932, oil on canvas, Stewart Davis (1892–1964); City Point, Virginia Headquarters of General Grant, 1873, oil on canvas, Edward Lamson Henry (1841–1919); Addison Gallery of American Art, Phillips Academy, Andover, Massachussets, May 6, 2018

> Tria Fata, xvii/xviii siècles, attribué à Daniello Solaro (1629–1726), Musée des Beaux Artes, Nîmes, France, July 18, 2108

> Acrobat in Green, 1927, oil on canvas, Walt Kuhn (1877–1949); Salatat, 1989, oil on canvas, Thomas Eakins (1944–1916); Addison Gallery of American Art, Phillips Academy, Andover, Massachussets, May 6, 2018

> Abstract Painting, 1957, Ad Reinhardt (1913–1967); Hanging Column from Dawn's Wedding Feast, 1959, painted wood, Louise Nevelson (1899–1988); Museum of Modern Art, MOMA, New York City, New York, May 29, 2018

> Untitled, 1980–98, welded steel, porcelain, wire mesh, canvas, grommets and wire, Lee Bontecou (1931– ); April 24, 1990, 1990, On Kawara (1933–2014); Dirty Story A/B, 1987, two color video monitors, two videotapes (color, sound) and cable, Bruce Nauman (1941– ); Museum of Modern Art, MOMA, New York City, New York, May 29, 2018

> Untitled, 1992, ink on paper, Rosemarie Trockel (1952– ); Hermes, 1988, gelatin silver print, Robert Mappplethorpe (1946–1989); Museum of Modern Art, MOMA, New York City, New York, May 29, 2018

> Self-Portrait, ca. 1893, oil on canvas, Eugène Carrière (1849–1906), Metropolitan Museum of Art (The Met), New York City, New York, May 30, 2018; Autoportrait, 1889, Eugène Carrière (1849–1906), Musée des Beaux-Arts de Lyon, Lyon, France, March 30, 2018

> Autumn Rhythm (Number 30), 1950, enamel on canvas, Jackson Pollock (1912–1956); The Battle, 1956, oil cloth, tinted canvas, enamel paint, oil on canvas, Conrad Marca-Relli (1913–2000); Metropolitan Museum of Art (The Met), New York City, New York, May 30, 2018

> Head of Christ, limestone with traces of wood thorns, Diosese of Utrecht, late 15th century; Mask, autumn/winter 2016–17, black leather, silver chains and charms with black plastic beads, A.F. Vandervorst (founded 1997); Heavenly Bodies: Fashion and the Catholic Imagination, May 10–October 8, 2018, The Metropolitan Museum of Art (the Met), New York City, New York, May 30, 2018

> The Kitchen V: Carrying the Milk, 2009, color video in DVD with sound, Marina Abramovic (1946– ); Watson and the Shark, 1782, oil on canvas, John Singleton Copley (1738–1815); Detroit Institute of Arts, Detroit, Michigan, May 3, 2018

> Still, 1994, glass, stainless steel, nickel, brass, rubber, and medical, surgical, and labratory equipment, Damien Hirst (1965– ); Bourgeois Bust—Jeff and Ilona, 1991, marble, Jeff Koons (1955– ); Art Institute of Chicago, Chicago, Illinois, May 2, 2018

> The Awakening of the Forest, 1939, oil on canvas, Paul Delvaux (1897–1994); Girl with Cat, 1937, oil on board, Balthus (Balthusz Klossowski de Rola) (1908–2001); Art Institute of Chicago, Chicago, Illinois, May 2, 2018

> Time Transfixed, 1938, oil on canvas, René Magritte (1898–1967); Visions of Eternity, 1936/37, oil on canvas, Salvador Dalí (1904–1989); Art Institute of Chicago, Chicago, Illinois, May 2, 2018

> The Banquet, 1958, oil on canvas, René Magritte (1898–1967); Summer Night is Arizona, 1944, oil on canvas, Max Ernst (1891–1967); Art Institute of Chicago, Chicago, Illinois, May 2, 2018

Woolly Mammoth, Mammuthus primigenius, La Brea Tar Pits Museum, Los Angeles, California, April 21, 2018; ALA, neon, Ian Hamilton Finlay (1925–2006), Los Angeles, California, May 26, 2016; Pavilion for Japanese Art, Los Angeles County Museum of Art (LACMA), April 21, 2018

> Hustle'n'Punch by Kaikai and Kiki, 2009, Takashi Murakami (1962– ); Like You, 1995, Lari Pittman (1952– ); The Broad, Los Angeles, California, April 25, 2018

Detroit Institute of Arts, Detroit, Michigan, May 3, 2018

> A Woman, 1910, oil on canvas, Ferdinand Hodler (Swiss, 1853–1918); The Beach Hat, 1914, Robert Cozad Henri (American, 1865–1925); Detroit Institute of Arts, Detroit, Michigan, May 3, 2018

Pat Hearn, 1985, Andy Warhol (1928–1987); Art Institute of Chicago, Chicago, Illinois, May 2, 2018

> Portrait of a Lady, 1627, Frans Hals (1580–1666); Old Man with a Gold Chain, 1631, Rembrandt Harmensz. van Rijn (1606–1669); Art Institute of Chicago, Chicago, Illinois, May 2, 2018

> Bust of a Man, Roman, about AD 215, marble; Satyr Pouring Wine, Roman, AD 81–96, marble; Imperial Prince, Roman, AD 200–300, bronze; J. Paul Getty Museum at the Getty Villa, Malibu, California, April 20, 2018

> Ange et Vierge de l'Annonciation, Milieu de XIVe siècle, Toscan, bois polychrome, Musée des Beaux-Arts de Lyon, Lyon, France, March 30, 2018

> Portrait of the Artist's Wife, Jeanne Hébuterne, 1918, Amedco Modigliani (1884–1920); The Black Shawl (Lorette VII), 1918, Henri Matisse (1869–1954); Norton Simon Museum, Pasadena, California, April 12, 2018

> Adam, c. 1530 (detail, first of a pair); Eve, c. 1530 (detail, second of a pair); Lucas Cranach the Elder (1472–1553); Norton Simon Museum, Pasadena, California, April 12, 2018

> Baron Joseph-Pierre Vialetès de Mortarieu, 1805/1806, Jean-Auguste-Dominique Ingres (1780–1867); Doña Francisca Vicenta Chollet y Caballero, 1806, Franciso de Goya y Lucientes (1746–1828); Still Life with Cherries, Strawberries and Gooseberries, 1630, Louise Moillon (1610–1696); Norton Simon Museum, Pasadena, California, April 12, 2018

> Bust of a Female Saint, c. 1750–60, polychromed wood with painted glass eyes, attributed to Felice Ydalgo Buenfiglio, active mid-18th century, Los Angeles County Museum of Art (LACMA), April 17, 2018

> Portrait of a Man, 1889, oil on canvas, Louis Anquentin (1861–1932); Portrait of a Dandy (formerly Portrait of Toulouse-Lautrec), 1880/1890, oil on canvas, Giovanni Boldini (1842–1931); Norton Simon Museum, Pasadena, California, April 12, 2018

> Bust of a Woman, 1923, Pablo Picasso (1881–1973); Madam Manet, 1874/1876, Édouard Manet (1832–1883); Norton Simon Museum, Pasadena, California, April 12, 2018

> Colossal Head, c. 1560, Baccio Bandinelli, (1492–1560); Portrait of Cosimo I de' Medici (1519–1574), c. 1572, Giovanni Bandini (called Giovanni dell'Opera) (1540–1599); Los Angeles County Museum of Art (LACMA), April 17, 2018

> Portrait of Monsieur Gest, 1819, Alexandre Dubois-Drahonet (1791–1834); Portrait of a Lady (Possibly Mrs. Patrick Campbell, Née Fitzgerald [1786–1869], 1831, Emile Jean Horace Vernet (1789–1863); Los Angeles County Museum of Art (LACMA), Los Angeles, California, April 17, 2018

> Portrait of Jacques-Alexandre Bernard Law, Marquis de Lauriston (1768–1828), c. 1823, Baron François-Joseph Bosio, (1768–1828); Portrait of Madam Roland, c. 1792–93, François Masson, (1745–1807); Los Angeles County Museum of Art (LACMA), April 17, 2018

> Love, 1983; Camouflage, 1987; Andy Warhol (1927–1987), Andy Warhol: Prints from the Collections of Jordon D. Schnitzer and his Family Foundation, March 3–May 28, 2018, Palm Springs Art Museum, Palm Springs, California, April 14, 2018

> Marilyn Monroe (Marilyn), 1967; Electric Chair, 1971; (clockwise) Gun, ca. 1981; Marilyn Monroe (Marilyn) (Retrospective Series), ca. 1978; Flowers (Retrospective Series), ca. 1978; Andy Warhol (1927–1987), Andy Warhol: Prints from the Collections of Jordon D. Schnitzer and his Family Foundation, March 3–May 28, 2018, Palm Springs Art Museum, Palm Springs, California, April 14, 2018

> Candy Darling, n/d; Joe D'Alessandro, 1970; Michael Childers (1944– ) photographer; The Souper Dress, ca. 1965, The Campbell's Soup Company after Andy Warhol; Andy Warhol: Prints from the Collections of Jordon D. Schnitzer and his Family Foundation, March 3–May 28, 2018, Palm Springs Art Museum, Palm Springs, California, April 14, 2018

> Bouquet of Flowers in an Urn, 1724, Jan van Huysum (1682–1729); Portrait of Jean-Pierre Delahaye, 1815, Jacques-Louis David (1748–1825); Los Angeles County Museum of Art (LACMA), April 17, 2018

> La Noce chez le photographe, 1879, Pascal Dagnan-Bouveret (1852–1929); Bouquet de fleurs sur une cheminée aux Clayes, vers 1932/1935, Edouard Vuillard (1868–1940); Musée des Beaux-Arts de Lyon, Lyon, France, March 30, 2018

> Torso of Buddha Shakyamuni, Thailand, Mon-Dvaravati Period, 7th-8th century, sandstone; Site in Italy, 1839, Jean-Baptiste Camille Corot (1796–1875); Norton Simon Museum, Pasadena, California, April 12, 2018

> Juene femme à sa toilette ou Vanité, vers. 1626, Nicholas Règnier (1590–1667); L'Invention des reliques de saint Gervais et saint Protais, 1657, Philippe de Champaigne (1602–1674); Musée des Beaux-Arts de Lyon, Lyon, France, March 30, 2018

> Bodhisattva Maitreya, Pakistan, Ancient Gandahara, 2nd-3rd century, schist, Norton Simon Museum, Pasadena, California, April 12, 2018

> Françios-Paul de Neuville de Villeroy (1670–1731), archevêque de Lyon, 1723, marbre, Guillaume I. Coustou (1677–1746); Bernard Le Bovier de Fontenelle (1657–1757), académicien, (n/d), terre-cuite, Jean-Babtiste Lemoyne II (1704–1778); Camille Falconet (1670–1762), médecin du roi, 1747, terre-cuite, Étienne-Maurice Falconet (1716–1791); Musée des Beaux-Arts de Lyon, Lyon, France, March 30, 2018

> Autoportrait, 1889; Ernest Chausson et sa famille, 1895, Eugène Carrière (1849–1906), Musée des Beaux-Arts de Lyon, Lyon, France, March 30, 2018

> Buste d'homme, 15e siècle(?), Italie(?), marbre, Musée des Beaux-Arts de Lyon, Lyon, France, March 30, 2018

> Etude pour "L'Apothéose d'Homère", 1827, hulle sur toile marouflée sur bois, Jean-Aguste-Dominique Ingres (1780–1867); Etude de pieds e de main, vers 1817–1819, hulle sur toile, Théodore Gericault (1791–1824); Musee Fabré, Montpellier, France, September 2, 2014

> La Flagellation de Christ, vers. 1613, Palma Giovane (1544–1628); La Vierge et l'Enfant avec sainte Catherine, saint Augustin, saint Marc et saint Jean-Baptiste, vers. 1445/1446 (absent, removed for restoration), Tintoret (Jacopo Robusti, dit il Tintoretto) (1518–1594); Portrait d'un gentilhomme, (n/d), Federico Barocci dit Le Baroche (1535–1612); Musée des Beaux-Arts de Lyon, Lyon, France, March 30, 2018

> Sepulcre del bisbe Guillem Boil, Catedral de Girona, Girona, Catalunya, December 19, 2015; Arènes d'Arles, Arles, France, September 1, 2014

> Paul Chenavard (1807–1895), peintre, 1887, Jean Gautherin (1840–1890); Anatole France (1884–1924), écrivian, 1919, Antoine Bourdelle (1861–1929); Fleurs au pied d'un rocher, 1851, Jacqeus-Joseph Baile (1819–1856); Musée des Beaux-Arts de Lyon, Lyon, France, March 30, 2018

> Portrait de femme, 1625, Michiel Jansz van Miereveld (1567–1641), Musée des Beaux-Arts de Lyon, Lyon, France, March 30, 2018

> Portrait de femme, 1631, Michiel Jansz van Miereveld (1567–1641), Musée des Beaux-Arts de Lyon, Lyon, France, March 30, 2018

> Saint Augustin et Alypius reçoivent la viste de Ponticianus, vers 1413, bois, Nicolò de Pietro (1390–1430); Saint Jean-Baptiste et saint Michel, vers 1470/1480, Benvenuto Di Giovanni (1470–1518); Saint Jacques le Majeur, Giovanni Di Francesco (Actif à Florence entre 1442 et 1459); La Vierge et l'Enfant, vers 1450/1457, Francesco di Stefano dit Pessellino (1422–1457); Musée des Beaux-Arts de Lyon, Lyon, France, March 30, 2018

> La Dormition de la Vierge, fin du 16e siècle, Espagne (Ecole de Burgos), bois polychrome; Saint Françios, vers 1659, Francisco de Zurbarán (1598–1664); Musée des Beaux-Arts de Lyon, Lyon, France, March 30, 2018

> L'Adoration de l'Enfant, vers. 1496/1497, Jacquelin de Montluçon, (1463–1505), Musée des Beaux-Arts de Lyon, Lyon, France, March 30, 2018

> Saint Herculan évêque de Pérouse et saint Jacques, vers. 1505, Pérugin (Pietro Vannucci, dit) (1448–1523); Le Christ couronné d'épines, (n/d), Aelbrecht Bouts (1452/1460–1549); Musée des Beaux-Arts de Lyon, Lyon, France, March 30, 2018

> Estudio de anatomía masculina (Study of the male anatomy), hacia 1862, óleo sobre lienzo, Bernardo Ferrándiz y Bádenes (1853–1885); Autorretrato (Self-portrait), hacia 1862, óleo sobre lienzo, Bernardo Ferrándiz y Bádenes (1853–1885); Museo de Málaga, Málaga, Andalucía, España, January 4, 2017

> Els profetes David i Isaïes Sotabancal delretaule de Sant Feliu, 1508–5109, Perris Fontaines (?–1518); Els profetes Daniel i Isaïes Sotabancal del retaule de Sant Feliu, 1508–1509, Perris Fontaines (?–1518); Museu d'Art de Girona, Girona, Catalunya, March 20, 2018

> Une Muse, 1811, marbre, Antonio Canova (1757–1822), Musee Fabré, Montpellier, France, September 2, 2014; Cabeza de San Juan de Dios (Head of Saint John of God), hacia 1755–1765, madera policromada, Fernando Ortiz y Comarcada (1716–1777), Museo de Málaga, Málaga, Andalucía, España, January 4, 2017

> Vierge de la rue de l'Ange (detail), XIVe siècle, bois polychrome, Anonyme, Musée Hyacinthe-Rigaud, Perpignan, France, March 17, 2018; San Antonio Abad (Saint Anthony the Great) (detail), hacia 1750, madera policromada, Fernando Ortiz y Comarcada (1716–1777), Museo de Málaga, Málaga, Andalucía, España, January 4, 2017

> Statue of a man, Lihyanite temple of Dedan (al-'Ula), National Museum of Korea (국립중앙박물), Seoul, South Korea, July 20, 2017

> Triptyque Spiridon (detail), Maître des Florida (école aragonaise), Vers 1450–1475, peinture à la détrempe et fond d' or sur bois; Portrait du cardinal de Bouillon (detail), 1707–1709/1740–1741, huile sur toile, Hyacinthe Rigard (1659–1743); Musée Hyacinthe-Rigaud, Perpignan, France, March 17, 2018

> Undocumented Marble Bust; Chandelier; Musée Calvet, Musée des Beaux-Arts & Archéologie d'Avignon, Avignon, France, March 6, 2018

> Glazed Porcelain Bust, Courtyard, House-Museum Gala Dalí Castle, Púbol, Catalunya, March 18, 2018; Cabeza de San Juan Bautista degollado (Severed head of Saint John the Baptist), Siglo XVIII, madera policromada, Museo de Málaga, Málaga, Andalucía, España, January 4, 2017

> L'Art Etrusque, circa 1862–1863, marbre, Victor Symian (1826–1888); Le Mort de Joseph Bara (The Death of Joseph Bara), 1794, peintere à l'huile, Jacques-Louis David (1748–1825); Musée Calvet, Musée des Beaux-Arts & Archéologie d'Avignon, Avignon, France, March 6, 2018