fredfehlau

WHO'S AFRAID OF RED, YELLOW AND BLUE?
> Fouquet, Jean. Melun Diptych. Étienne Chevalier and Saint Stephen, (left wing), c. 1450. Oil on wood, 36.5 x 33.5 in. Gemäldegalerie, Staatliche Museen, Berlin, Germany.
> Newman, Barnett. Who's Afraid of Red, Yellow and Blue III, 1967. Oil on canvas, 245 x 543 in. Stedelijk Museum, Amsterdam, Netherlands.
> Fehlau, Fred. Who's Afraid of Red, Yellow and Blue?, January 24, 2009. Inkjet print on archival paper, 11 x 10.39 in., (digital versions variable).
© 2009 Fred Fehlau. SlideLecture Project, 2008/Ongoing.

SOME OF YOU NEVER GET TO SEE THIS SIDE OF ME.
> Holbein the Younger, Hans. Jean de Dinteville and Georges de Selve (The Ambassadors), 1533. Oil on wood, 2095 x 2070 cm. The National Gallery, London, England.
> Fehlau, Fred. Some of You Never Get to See this Side of Me., January 3, 2009. Inkjet print on archival paper, 8 x 7.89 in., (digital versions variable).
© 2009 Fred Fehlau. SlideLecture Project, 2008/Ongoing.

IN NO WAY DID SHE INTEND TO SHOW ANY MALICE TOWARDS HIM.
> Cranach the Elder, Lucas. Portrait of a Man, 1522. Oil on wood, 57.6 x 39.9 cm. Samuel H. Kress Collection, The National Gallery of Art, Washington, D.C.
> Cranach the Elder, Lucas. Portrait of a Woman, 1522. Oil on wood, 58 x 39.8 cm. Samuel H. Kress Collection, The National Gallery of Art, Washington, D.C.
> Fehlau, Fred. In No Way Did She Intend to Show Any Malice Towards Him., July 9, 2014. Inkjet print on archival paper, 9.96 x 15 in., (digital versions variable).
© 2014 Fred Fehlau. SlideLecture Project, 2008/Ongoing.

YOU ARE SO PRETTY, SO PRETTY, SO PRETTY. SO?
> Ingres, Jean-Auguste-Dominique. Comtesse d’Haussonville, 1845. Oil on canvas, 51.875 x 36.25 in. The Frick Collection, New York City, New York.
> Rachel Wallace. Passage to Paraguay: Peace Corps in the Heart of South America, "Christmas, Creches, and the 1,000 Bleeding Pigs," January 23, 2013.http://passagetoparaguay.blogspot.fr/2013/01/christmas-creches-and-1000-bleeding-pigs.html "Ok, so I'll post one gory photo, but only because I eat more than my fair share of intestines, and I want the world to feel my pain, haha!" Posted 23rd January 2013 by Rachel Wallace.
> Fehlau, Fred. You Are So Pretty, So Pretty, So Pretty. So?, December 20, 2015. Inkjet print on archival paper, 18 x 13.53 in., (digital versions variable).
© 2015 Fred Fehlau. SlideLecture Project, 2008/Ongoing.

DID YOU THINK THAT I WAS YOUR FIRST FUCK?
> Gossaert, Jan (Mabuse). Neptune and Amphitrite, c. 1516. Oil on panel, 86 x 49 in. Gemäldegalerie, Staatliche Museen, Berlin, Germany.
> Dürer, Albrecht. The Fall of Man (Adam and Eve), 1504. Engraving, approx. 9.875 x 7.625 in. Museum of Fine Arts, Boston, Massachusetts (Centennial gift of Landon T. Clay).
> Fehlau, Fred. Did You Think I Was Your First Fuck?, January 4, 2009. Inkjet print on archival paper, 9.037 x 5.63 in., (digital versions variable).
© 2009 Fred Fehlau. SlideLecture Project, 2008/Ongoing.

HE WAS ALWAYS LYING AROUND THE HOUSE.
> Fabre, François-Xavier. La Mort d' Abel, 1790. Toile peinture à l'huile, 147 x 171.5 cm. Musée Fabre – Montpellier Agglomération, Montpellier, France. Photographie: Frédéric Jaulmes.
> David, Jacques-Louis. Hector, 1778. Toile peinture à l'huile, 124 x 145 cm. Musée Fabre – Montpellier Agglomération, Montpellier, France. Photographie: Frédéric Jaulmes.
> Fehlau, Fred. He Was Always Lying Around the House., November 22, 2015. Inkjet print on archival paper, 12 x 16.3 in., (digital versions variable).
© 2015 Fred Fehlau. SlideLecture Project, 2008/Ongoing.

HE WAS ALWAYS LYING AROUND THE HOUSE.

> Fabre, François-Xavier. La Mort d' Abel, 1790. Toile peinture à l'huile, 147 x 171.5 cm. Musée Fabre – Montpellier Agglomération, Montpellier, France. Photographie: Frédéric Jaulmes.
> David, Jacques-Louis. Hector, 1778. Toile peinture à l'huile, 124 x 145 cm. Musée Fabre – Montpellier Agglomération, Montpellier, France. Photographie: Frédéric Jaulmes.
> Fehlau, Fred. He Was Always Lying Around the House., November 22, 2015. Inkjet print on archival paper, 12 x 16.3 in., (digital versions variable).
© 2015 Fred Fehlau. SlideLecture Project, 2008/Ongoing. 

IT WAS CLEAR FROM THE START THAT IT WASN’T GOING TO WORK.
> de Roberti, Ercole. Ginevra Bentivoglio, c. 1474/1477. Tempera on panel, 53.7 x 38.7 cm. Samuel H. Kress Collection, The National Gallery of Art, Washington, D.C.
> Botticelli, Sandro. Giuliano de' Medici, c. 1478/1480. Tempera on panel, 75.5 x 52.5 cm. Samuel H. Kress Collection, The National Gallery of Art, Washington, D.C.
> Fehlau, Fred. It Was Clear From the Start that It Wasn’t Going to Work., July 8, 2014. Inkjet print on archival paper, 10.535 x 15 in., (digital versions variable).
© 2014 Fred Fehlau. SlideLecture Project, 2008/Ongoing.

A CUP IN THE HAND IS LIKE TWO ON THE SHELF.
> Memling, Hans. Chalice of Saint John the Evangelist, c. 1470/1475. Oil on panel, 30.2 x 23 cm. Samuel H. Kress Collection, The National Gallery of Art, Washington, D.C.
> Fetti, Domenico. The Veil of Veronica, c. 1618/1622. Oil on panel, 80.6 x 66.3 cm. Samuel H. Kress Collection, The National Gallery of Art, Washington, D.C.
> Fehlau, Fred. A Cup In the Hand is Worth Two On the Shelf., July 8, 2014. Inkjet print on archival paper, 11.435 x 15 in., (digital versions variable).
© 2014 Fred Fehlau. SlideLecture Project, 2008/Ongoing.

ONE DAY YOU CAN HAVE ONE TOO.
> Follower of Titian, Alessandro Alberti with a Page, c. 1550. Oil on canvas, 124.2 x 102.7 cm. Samuel H. Kress Collection, National Gallery of Art, Washington, D.C.
> Fehlau, Fred. One Day You Can Have One Too., August 26, 2014. Inkjet print on archival paper, 11.75 x 15 in., (digital versions variable).
© 2014 Fred Fehlau. SlideLecture Project, 2008/Ongoing.

THERE WAS NO REASON TO BELIEVE THAT THEY WOULD STILL BE ALIVE.
> Cabanel, Alexandre. Phèdre, 1880. Toile peinture à l'huile, 225 x 245 cm. Musée Fabre – Montpellier Agglomération, Montpellier, France. Photographie: Frédéric Jaulmes.
> Monvoisin, Raymond Auguste Quinsac. La Mort de Charles IX, 1834. Toile peinture à l'huile, 233 x 263.5 cm. Musée Fabre – Montpellier Agglomération, Montpellier, France. Photographie: Frédéric Jaulmes.
> Fehlau, Fred. There Was No Reason to Believe that They Would Still Be Alive., December 20, 2014. Inkjet print on archival paper, 17.54 x 12 in., (digital versions variable).
© 2014 Fred Fehlau. SlideLecture Project, 2008/Ongoing.